Been a while, and we’re already thinking about our next vacation (Popeye village, anyone?), but in the meantime we promise you’ll see a little more action around these parts. A couple links to tide you over:
The production design team from Ben Wheatley’s upcoming dystopian thriller High Rise takes us deep on how just about everything (every. thing.) in the film came to be.
Composer Mark Korven talks to Filmmaker magazine about super dissonance, anti-melody, and scoring The Witch.