Category: Big Shot

Big Shot: Desk Set

 Desk Set is an outstanding example golden age Hollywood’s classic comedies. With the dependable pairing of Katherine Hepburn and Spencer Tracy, quick-witted dialog, and a plethora of tightly-plotted absurdities, there’s nothing not to like. It’s a sugar-coated method to skewer two seemingly unstoppable forces: the march of technology and the patriarchy. With a premise...

Big Shot: The Edge

 The Edge takes a page directly from the wilderness yarns of Jack London, and is very self-conscious about it. Majestic geography, bone-chilling isolation, fearsome wildlife; the beauty and terror of nature and man’s quest to conquer all are at the forefront. There’s even a sequence showing the struggle to light a fire under the...

Big Shot: The Hot Rock

 The Hot Rock (1972) is a real artifact genre-wise, feeling more akin to mid-60s capers like How to Steal A Million or Blake Edward’s Pink Panther films than the hardboiled thrillers of its own decade. Never fully committing to a genre, it picks and chooses at random from thriller and caper tropes. Adapted from...

Big Shot: Sword of the Beast

 There doesn’t seem to be much hope for a savior in Sword of the Beast. Everyone is a thief, a murderer, or a coward. Even the great Samurai Gennosuke (Mikijirô Hira) hides in the corn field, hoping to wait out those in hot pursuit. And when he is discovered, he flees instead of facing...

Big Shot: The Baron of Arizona

 Samuel Fuller’s The Baron of Arizona is an exaggerated tale “based on the true events” from the life of James Reavis (Vincent Price), a real estate clerk turned swindler who forged a property claim on a vast swath of land across Arizona and western New Mexico in the 1870s. Despite this premise rife with...

Big Shot: Into the Night

 Ed (Jeff Goldblum) can’t sleep. He takes to driving the LA night to calm his nerves and ends up chauffeuring Diana (Michelle Pfeiffer), a gorgeous blonde all over town. She’s on the run with a pouch full of  invaluable jewels and takes him along for a wild ride. Into the Night, directed by John...

Big Shot: The Devil, Probably

 A Robert Bresson film in color, The Devil, Probably is more contemporary than anything from him that we know how to understand. Right off the bat, this is jarring: a film by an old man (who has always been old) about young people, made at a time when everyone was obsessed with diagnosing or...

BIG SHOT: Falling Down

What if, one day, you acted on the impulse to just get out of your gridlocked car and walk away, abandoning the daily grind to just go home? Joel Schumacher’s 1993 Falling Down takes that premise and runs with it to its worst possible conclusion. Michael Douglas plays William “D-Fens” Foster, an out-of-work defense engineer,...